Details

Keywords Change this

Hermetic Urbanism, Neofuturism

Project timeline

1971 – 1973

Type

Hotel & Restaurant

Location Change this

5 Embarcadero Cente
94111 San Francisco
USA

Architect Change this

__

Article last edited by Bostjan on
February 24th, 2019

Hyatt Regency Change this

San Francisco, USA
by John Calvin Portman Change this
1 of 3

Description Change this

Hyatt Regency San Francisco is located at the foot of Market Street and The Embarcadero in the financial district of San Francisco, California. It is a part of the Embarcadero Center development by Trammell Crow, David Rockefeller, and John Calvin Portman.

The Hyatt Regency Atlanta, Portman's first atrium hotel, would lead to many more iconic hotels and multi-use complexes with atria, including the Westin Bonaventure Hotel in Los Angeles (1974–1976), the New York Marriott Marquis (1982–1985), and the Renaissance Center in Detroit (first phase 1973-1977), whose central tower remained the tallest hotel in the Western Hemisphere until the completion of 1717 Broadway in 2013.

The San Francisco Chronicle's architecture critic John King has described the 1973 building as a "temple of hermetic urbanism" in a "self-contained sci-fi" style. The Regency Club Lounge was once the Equinox, a rooftop revolving restaurant, but is now a stationary elite club for certain hotel guests offering 360-degree views of the city and the bay. The atrium holds the Guinness world record for the largest hotel lobby, with a length of 107 meters, width of 49 meters and height of 52 meters (15 stories).

In Movies

The Hyatt Regency's atrium lobby served as the lobby of the Glass Tower in 1974's The Towering Inferno. Replicas of John Portman's trademark pill-shaped elevators were built for use in the film and are featured throughout, including in an extended sequence where one is lifted from the stricken tower by helicopter. The hotel was also featured in the 1977 Mel Brooks Comedy High Anxiety, the film Telefon from 1977, and in Time After Time, a tale of H.G. Wells chasing Jack The Ripper into the future of 1979. As well as being a setting for numerous films, the lobby is itself inspired by a film. Architect John Portman has stated that its design was suggested to him by viewing the 1935 science fiction film Things to Come.

Sources

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