Details

Keywords Change this

Studio, Design, Furniture Design

Birth date / place

April 8th 1901, Nancy, France

Selected Architecture


Practice / Active in Change this

Ateliers Prouvé
Nancy, France

Linked to Change this

Marcel Lods
Pierre Jeanneret
Eugène Beaudoin

Awards Change this

  • 1947 - Gold Medal from the Ministry of Reconstruction and Town Planning of France

Change this

"We like logic, balance and purity."
Jean Prouvé

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Article last edited by Bostjan on
June 16th, 2017

Jean Prouvé Change this

Change thisNancy, France
born 1901, Nancy
1 of 3

About Change this

Jean Prouvé (April 8th, 1901 - March 23rd, 1984) was a French engineer and designer. His main achievement was transferring the manufacturing technology from industry to the architecture, without losing the aesthetic qualities. Jean Prouvé was born in Nancy. He grew up surrounded by the ideals and energy of his father Victor Prouvé's art collective, "l'École de Nancy". This school came together with the intent of making art readily accessible, to forge a relationship between art and industry, and to articulate a link between art and social consciousness.

Workshop and Studio

Prouvé was first apprenticed to a blacksmith, Émile Robert, and then to the metal workshop of Szabo. In Nancy in 1923 he opened what would be the first in a string of his own workshops and studios. He produced wrought iron lamps, chandeliers, hand rails and began designing furniture. In 1930 he helped establish the Union of Modern Artists whose manifesto read, "We like logic, balance and purity."Although Jean Prouvé shaped his public image around the idea that he was not married to a specific aesthetic, the tenets of "l'École de Nancy" were certainly a powerful influence on his body of work. "I was raised," Prouvé says, "in a world of artists and scholars, a world which nourished my mind."

Ateliers Jean Prouvé

He opened the successful "Ateliers Jean Prouvé" in 1931 and began collaborating with French architects Eugène Beaudoin and Marcel Lods on projects such as the Maison du Peuple in Clichy, an aviation club and an army camp. He also collaborated with Charlotte Perriand and Pierre Jeanneret (Le Corbusier's cousin and collaborator) on a variety of furniture designs. The war kept "Ateliers" in business manufacturing bicycles and a stove called "Pyrobal" that could burn on any fuel. During the war Prouvé was also politically active as a member of the Resistance and he was recognized for this involvement after the war by being named mayor of Nancy. He was also made a member of the Advisory Assembly after Liberation and made the Departmental Inspector for Technical Education. "Ateliers Jean Prouvé" were commissioned by the Reconstruction Ministry to mass-produce frame houses for refugees.

The Maxéville factory

In 1947 he built the Maxéville factory where he produced furniture and undertook extensive architectural research on the uses of aluminum. They built industrial buildings from aluminum and sent hundreds of aluminum sheds to Africa. After Maxéville he started "Constructions Jean Prouvé" whose major works were a cafe in Evian, a pavilion for the centennial of aluminum and the Abbey Pierre house. In 1957 he started the Industrial Transport Equipment Company and built the Rotterdam Medical School, the Exhibition Center in Grenoble and the Orly Airways Terminal façade.

Metal Furniture

The metal furniture of Jean Prouvé was produced copiously in every studio and workshop. The style is set apart from the Bauhaus steel furniture of the time by his rejection of the steel tube technique. Prouvé had more faith in the durability and form of sheet metal, "bent, pressed, compressed than welded". His designs speak of a work philosophy that includes knowledge of the materials at hand, a commitment to collaboration between artists and craftsmen, an attention to evolving technical developments, and "the principle of never postponing decisions so as neither to lose the impetus nor indulge in unrealistic forecasts". Prouvé was influential in the development of the idea of nomadic architecture, likening a chair to a house, and designing both with portability in mind.

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