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Architecture And Music

Birth date / place

May 29th 1922, Braila, Romania

Selected Architecture


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Paris, France

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Le Corbusier

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"The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry."
Iannis Xenakis

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Article last edited by archibald on
October 13th, 2012

Iannis Xenakis Change this

Change thisParis, France
born 1922, Braila
1 of 1

About Change this

Iannis Xenakis (May 29th 1922 – February 4th 2001) was a Romanian-born Greek ethnic, naturalized French composer, music theorist, and architect-engineer. He is commonly recognized as one of the most important post-war avant-garde composers. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic music.

Among his most important works are Metastaseis (1953–4) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed alone.

Comments

Posted by siblad | Friday, March 2nd, 2012 | 17:50pm
I don't think that the present quote is related to architecture...

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