Details

Keywords Change this

Postmodernism, Neo-Rationalism, Postwar Modernism, Pritzker Prize, School Of Venice

Birth date / place

May 3rd 1931, Milan, Italy

Selected Architecture


Practice / Active in Change this

Milan, Italy

Linked to Change this

Carlo Aymonino
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Article last edited by Bostjan on
May 09th, 2017

Aldo Rossi Change this

Change thisMilan, Italy
born 1931, Milan
1 of 4

About Change this

Aldo Rossi (May 3, 1931 – September 4, 1997) was an Italian architect and designer who accomplished the unusual feat of achieving international recognition in three distinct areas: theory, drawing, and architecture. Rossi was born in Milan, Italy. He graduated in architecture in 1959 from the Politecnico di Milano.

Work

His earliest works of the 1960s were mostly theoretical and displayed a simultaneous influence of 1920s Italian modernism (see Giuseppe Terragni), classicist influences of Viennese architect Adolf Loos, and the reflections of the painter Giorgio De Chirico. A trip to the Soviet Union to study Stalinist architecture also left a marked impression.

In his writings Rossi criticized the lack of understanding of the city in current architectural practice. He argued that a city must be studied and valued as something constructed over time; of particular interest are urban artifacts that withstand the passage of time. Rossi held that the city remembers its past (our "collective memory"), and that we use that memory through monuments (i.e. monuments give structure to the city).

He became extremely influential in the late 1970s and 1980s as his body of built work expanded and for his theories promoted in his books The Architecture of the City (L'architettura della città, 1966) and A Scientific Autobiography (Autobiografia scientifica, 1981).

Neo-Rationalist movement

Rossi is considered one of the founders of the Neo-Rationalist movement known as La Tendenza. His influence in shaping European architectural thinking during this period is often compared to that of Robert Venturi in the USA. Along with Venturi, Rossi became one of the prime examples given by architecture critic Charles Jencks of Postmodern architecture. But this characterization of Rossi sat oddly with his background in European urbanism and his idea of progressing Modernist views.

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