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Bruno Taut

Berlin, Germany
1 of 3

Bruno Julius Florian Taut (4 May 1880, Konigsberg, Germany - 24 December 1938, Istanbul), was a prolific German architect, urban planner and author active in the Weimar period. Taut is best known for his theoretical work, speculative writings and a handful of exhibition buildings. Taut's best-known single building is the prismatic dome of the Glass Pavilion at the Cologne Werkbund Exhibition (1914). His sketches for "Alpine Architecture" (1917) are the work of an unabashed Utopian visionary, and he is variously classified as a Modernist and an Expressionist. In 1927, he was one of the fifteen architects who contributed to the influential modernist Weissenhof Estate exhibition. This reputation does not accurately reflect Taut's extensive body of built housing and his social and practical accomplishments. Much of Taut's work in German remains untranslated into English.

Early Career

Taut worked in offices of architects in Hamburg and Wiesbaden. In 1903, he was employed by Bruno Mohring in Berlin, where he acquainted himself with Jugendstil and new building methods combining steel with masonry. From 1904 to 1908, Taut worked in Stuttgart for Theodor Fischer and studied urban planning. He received his first commission through Fischer in 1906, which involved the renovation of the village church in Unterriexingen. In 1908, he returned to Berlin to study art history and construction at the Royal Technical Higher School of Charlottenburg (Koniglich Technische Hochschule Charlottenburg), now the Technical University of Berlin. A year later, he established the architecture firm Taut & Hoffmann with Franz Hoffmann.

Taut's first large projects came in 1913. He became a committed follower of the Garden City movement, evidenced by his design for the Falkenberg Estate. Taut adopted the futuristic ideals and techniques of the avant-garde as seen in the prismatic dome of the Glass Pavilion, which he built for the association of the German glass industry for the 1914 Werkbund Exhibition in Cologne. He created glass-treaded metal staircases, a waterfall with underlighting, and colored walls of mosaic glass. His sketches for the publication "Alpine Architecture" (1917) are the work of an unabashed utopian visionary, and he is classified as a Modernist and in particular an Expressionist.


Hermann Muthesius suggested him to visit England in 1910 to learn the garden city philosophy. Muthesius also introduced him to some of the Deutscher Werkbund group of architects, including Walter Gropius. Taut's practical activity changed with World War I. He became a pacifist and so avoided military service. He began to write and sketch, less to escape from the brutalities of war than to present a positive utopia in opposition to this reality. Taut designed an immense circular garden city with a radius of about 7 km for three million inhabitants. The "City Crown" was to be in the very center.

Taut completed two housing projects in Magdeburg from 1912 through 1915, which were influenced directly by the functionalism and urban design solutions of the garden city philosophy. The reform estate, created for a housing trust, was built in 1912-15 in the southwest of Magdeburg. The estate consists of one-story terrace houses and was the first project in which Taut used colour as a design principle. The construction of the estate was continued by Carl Krayl. Taut served as a city architect in Magdeburg from 1921 to 1923. During his time a few residential developments were built, one of which was the Hermann Beims estate (1925-28) with 2,100 apartments. Taut designed the exhibition hall City and Countryside in 1921 with concrete trusses and a central skylight.

In 1924 Taut was made chief architect of GEHAG, a Berlin public housing cooperative, and was the main designer of several successful large residential developments ("Gross-Siedlungen") in Berlin, notably the 1925 Horseshoe Estate, named for its configuration around a pond, and the 1926 Onkel-Toms-Hutte development ("Uncle Tom's Cabin") in Zehlendorf, named for a local restaurant and set in a thick grove of trees. Both of these constructions became prominent examples of the use of colorful details in architecture.

Taut worked for the city architect of Berlin, Martin Wagner, on some of Berlin's Modernist Housing Estates, now recognized as UNESCO World Heritage Sites. The designs featured controversial modern flat roofs; access to sunlight, air, and gardens; and generous amenities like gas, electric light, and bathrooms. Political conservatives complained that these developments were too opulent for 'simple people'.


Being a noted advocate of socialist political policies, Taut was compelled to look for opportunities to emigrate from Germany when the Nazis gained power. He was promised work in the USSR in 1932 and 1933 but was obliged to return to Germany in February 1933 to a hostile political environment. Later in the same year, Taut fled to Switzerland. Then, with an invitation from Japanese architect Isaburo Ueno, he traveled to Japan via France, Greece, Turkey and Vladivostok, arriving in Tsuruga, Japan, on May 3, 1933. Taut made his home in Takasaki, Gunma, where he produced three influential book-length appreciations of Japanese culture and architecture, comparing the historical simplicity of Japanese architecture with modernist discipline. For a time Taut worked as an industrial design teacher, and his models of lamps and furniture sold at the Miratiss shop in Tokyo.

Taut was noted for his appreciation of the stark, minimalist vein of Japanese architecture found at the Ise Shrine and the Katsura Imperial Villa in Kyoto. He was the first to write extensively about the architectural features of the Katsura Imperial Villa from a modernist perspective. Contrasting it with the elaborately decorated shrines of shogun Tokugawa Ieyasu at Nikko, Tochigi, he famously said that "Japan's architectural arts could not rise higher than Katsura, nor sink lower than Nikko". Taut's writing on the Japanese minimalist aesthetic found an appreciative audience in Japan and subsequently influenced the work of Le Corbusier and Walter Gropius.

The only extant Taut-designed architectural work in Japan is the extension to the Hyuga Villa at Atami in Shizuoka. Built-in 1936 on a site below the original villa owned by businessman Rihei Hyuga, and part modern and part traditional Japanese in style, the three rooms provided additional space for social events and views over nearby Sagami Bay.


Offered a position as Professor of Architecture at the State Academy of Fine Arts in Istanbul (currently, Mimar Sinan University of Fine Arts), Taut relocated to Turkey in 1936. In Ankara he joined other German wartime exiles, including Martin Wagner and Taut's associate Franz Hillinger, who arrived in 1938. Some of Taut's work was received unfavorably, however, and labeled as "cubic". He proceeded to design his own house in Istanbul's Ortakoy neighborhood, bridging the architectural traditions of his exile existence. His studio resembled that of the Einstein Tower in Potsdam, while the front view recalled a Japanese pagoda.

Taut died on 24 December 1938 and was laid to rest at the Edirnekapi Martyr's Cemetery in Istanbul as its first and only non-Muslim.

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Berlin, Germany
archibald, January 7th, 2020
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