Search results for keyword Workers’ Club

Ilya Golosov

Moscow, Russia
born 1883, Moscow

Ilya Alexandrovich Golosov (1883, Moscow – 1945, Moscow) was a Russian Soviet architect. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early Stalinist architecture known as Postconstructivism. Не was a brother of Panteleimon Golosov, also an architect.
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Ivan Sergeevich Nikolaev

Moscow, Russia
born 1901, Voronezh

Ivan Sergeevich Nikolaev (1901, Voronezh – 1979, Moscow) was a Soviet architect and educator, notable for his late 1920s constructivist architecture and later work in industrial architecture. Nikolaev studied at the Moscow State Technical University under Alexander Vesnin and Alexey Kuznetsov,..

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The Zuyev (also: Zuev) Workers’ Club in Moscow is a prominent work of constructivist architecture. Designed by Ilya Golosov in 1926 and completed in 1928, it housed various facilities to educate and entertain Moscow workers in line with the revolution.

The composition of this building is based..

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The Svoboda Factory Club, conceived as the Chemists Trade Union Club and also known as the Maxim Gorky Palace of Culture, is a listed memorial Constructivist building in Moscow, Russia, designed by Konstantin Melnikov in 1927 and completed in 1929.

The initial concept for the Svoboda Club was..

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The Rusakov Workers’ Club in Moscow is a notable example of Constructivist architecture. Designed by Konstantin Melnikov, it was constructed in 1927-28. The club is built on a fan-shaped plan, with three cantilevered concrete seating areas rising above the base. Each of these volumes can be used..

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In 1930, a competition was held for the Proletarsky District Palace of Culture, to be built on the site of the demolished Simonov Monastery. After the competition ended with no clear winner, the task was awarded to the Vesnin brothers, who had not taken part in the competition. The architecture..

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The Communal House of the Textile Institute (also known as Nikolaev’s House) is a Constructivist architecture landmark located in the Donskoy District of Moscow. The building, designed by Ivan Sergeevich Nikolaev to accommodate 2000 students, was erected in 1929–1931 and functioned as a student..

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The House of Film Actors was constructed in 1931-34 by the Vesnin brothers. Initially designed as the club house of the Society of Former Political Prisoners and Exiles, only the central body of the original, asymmetric design was actually realised, while the planned wings were never completed...

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The Frunze Workers’ Club is the smallest and simplest of the five clubs Konstantin Melnikov’s designed in Moscow during his “golden period”.
Completed in 1929 on the territory of the Dorogomilov chemical plant, the central rectangular volume of the club, with a roof sloping downward to the rear..

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This workers’ club was constructed in 1927-1929 in an industrial area in Moscow for culture and entertainment purposes for the workers from the surrounding factories. The building is an ensemble consisting of an auditorium and different rooms for lecture and education.

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The Club was commissioned by the cooperative of the Burevestnik shoe factory.
The initial concept consisted in a big auditorium with a swimming pool underneath, which could be covered during performance. However, this swimming pool could not be realised because of insufficient water supply. The..

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Kauchuk Factory Club is a constructivist public building designed by Konstantin Melnikov and constructed in 1927-1929, located in the Khamovniki District of Moscow on the edge of the Devichye Pole park and the medical campus.

The Kauchuk club is shaped as a quarter of a cylinder, housing a..

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Bakhmetevsky Bus Garage was a public bus garage in Moscow, designed in 1926 by Konstantin Melnikov (floorplan concept and architectural design) and Vladimir Shukhov (structural engineering). The building, completed in 1927, was an example of applying avant-garde architectural methods to an..

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The aesthetics of the Palace of Culture for the Railway Workers is more reminiscent of Art Déco than of constructivism; it has a grooved plaster facade and stands on a granite pedestal. Inside the theater expensive materials like railings bronze and granite posts were used.

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